clementine deliss/homemuseum.net

From AC Fourie to Everyone: 05:16 PM
Hello from City of Tshwane (Pretoria) South Africa.
From Danielle Kuijten to Everyone: 05:31 PM
https://amp-theguardian-com.cdn.ampproject.org/c/s/amp.theguardian.com/artanddesign/2020/nov/10/azu-nwagbogu-visionary-curator-african-art-lagos-photo-festival?
From Johanna Theile to Everyone: 05:39 PM
Good morning who is the name of thsi page?
the proyect welcome to home museum Clementine?
From Helene Vollgraaff to Everyone: 05:39 PM
Please feel free to use the chat to ask questions to the panel or comment on the discussion

From Clementine Deliss to Everyone: 05:40 PM
homemuseum.net
From Johanna Theile to Everyone: 05:40 PM
thanks
From Isabel Raabe to Everyone: 05:42 PM
Home Museum – a fantastic project, which creates counter narratives and undermines hegemonic archival practice and technology!
From Johanna Theile to Everyone: 05:43 PM
I love you idea I do somenting like also with me chilean students if you intrested in it me mail is jtheile@uchiel.cl
wong me mail is jtheile@uchile.cl
From Celma Costa to Everyone: 05:47 PM
There’s something I’m curious about, and hopefully we can discuss it here in the chat or with the panelists if it gets picked up. When speaking about art and embodiment, since we’re dealing with tangible, palpable bodies (and all the connotations, attitudes and reactions these bodies invoke), do we feel that certain bodies are “more welcome” in this decolonization work? Do we acknowledge how different bodies take space?
From Me to Everyone: 05:47 PM
aboutplacejournal.org/issues/civil-rights/future-past/chandramohan-sathyanathan/
From Anja Soldat to Everyone: 05:49 PM
mic
From Me to Everyone: 05:54 PM
in critical fabulation, metafiction and also in performance art, structuration becomes a major impediment, is there a way to render the structures of consciousness more palpable, like the oracular deities for instance, within the disenchanted space
From Rudi Hart to Everyone: 05:58 PM
Even before covid those with disabilities were still not as welcome in museums and galleries. Especially for those with special needs who can not cope or don not cope well with the visual and audio overload.
From Celma Costa to Everyone: 06:01 PM
I wanted to go back some of what Patricia shared about her practice and performance: the collection of old history books and their mutilation. Visually, I am certain this is quite shocking, captivating, and a great prompt for a much needed conversation. Still, I wonder, if this could also be seen as a repetition or a reproduction of the “colonial” methodology we want to challenge. This is what “they” did to “us”; so wouldn’t it be decolonial of us to do things differently? Perhaps to carve a new understanding, and space, for “history”?
From Anja Soldat to Everyone: 06:08 PM
thank you all, that was very insightful and inspiring
From Helene Vollgraaff to Everyone: 06:08 PM
Thank you everybody for your contributions. Much food for thought
From Danielle Hyde to Everyone: 06:09 PM
Miigwetch, thank you.
From Rudi Hart to Everyone: 06:09 PM
Thank you for such a good discussion
From Danielle Hyde to Everyone: 06:09 PM
Sorry to be off topic. Does anyone know if these sessions will be available to view later?